
Jacques d'Arthois and Frans Francken II
Landscape with Christ and the Centurion
Brussels 1613 - 1686 Brussels and Antwerp 1581 - 1642 Antwerp

Brussels 1613 - 1686 Brussels and Antwerp 1581 - 1642 Antwerp

Amsterdam 1622 - 1666 Amsterdam

Haarlem 1621/1622 - 1683 Amsterdam

Ypres c. 1590 - 1665/1666 The Hague

Leiden 1596-1656 The Hague

Gorinchem or Utrecht 1642 - 1705 The Hague

Utrecht 1612 - 1692 Utrecht

Amsterdam 1638 - 1709 Amsterdam

Worked in Utrecht, second half of 17th century

Antwerp ca. 1592 - after 1624

Durgerdam 1591 - 1655 Amsterdam

Haarlem 1626/1629 - 1676 Haarlem

Emden 1633 - 1686 Amsterdam

Gent 1623 - 1687 Antwerp

Utrecht 1594/1595 - 1667 Utrecht

Haarlem 1630 - 1672 Haarlem

Haarlem 1628/1629 - 1682 Amsterdam

Haarlem 1629/1630 - 1681 Haarlem

Amsterdam 1641 - 1686/88 Amsterdam

Antwerp 1595 - 1673 Antwerp, Antwerp 1610 - 1690 Brussels

The Hague c. 1595 - c. 1647 The Hague

Dordrecht 1763 - 1814 Amsterdam

Leipzig 1708 – 1769 Dresden

Leipzig 1708 – 1769 Dresden

Leipzig 1708 - 1769 Dresden

Lille 1609 - 1690 Utrecht

Amsterdam c. 1642 - 1719 Amsterdam

Haarlem 1619 - 1668 Haarlem

Haarlem 1619 - 1668
Brussels 1613 - 1686 Brussels and Antwerp 1581 - 1642 Antwerp
Painted around 1640
Canvas, 117 x 205 cm
Hoogsteder & Hoogsteder, The Hague
Paul Huys Janssen organised the exhibition of Flemish landscapes at the North Brabant Museum for which Hoogsteder & Hoogsteder supplied this work by D’Artois and Francken.
Amsterdam 1638 - 1709 Amsterdam
Monogrammed and dated MH 1659 (below right)
Panel, 54.5 x 71 cm
Kunsthandel Hoogsteder & Hoogsteder, The Hague
Hobbema’s figures, like those in Roelof van Vries’s picture, are also minuscule, a device used by artists to emphasise the overwhelming grandeur of nature.
Haarlem 1626/1629 - 1676 Haarlem
Panel, 39 x 56 cm,
signed K Molenaer.
Hoogsteder & Hoogsteder
Klaes Molenaer was probably born around 1630 in Haarlem. In 1651 he joined the Haarlem artists guild. Klaes is thought to have been a pupil of Salomon van Ruysdael. Later, he was particularly influenced by work by Jacob van Ruisdael. In 1668 he was appointed guardian of the son of the late Jan Miense Molenaer, which suggests that the two painters were probably related. Klaes Molenaer preferred painting landscapes of the surroundings of his native city – the rivers and beaches, town and village scenes, winter landscapes and bleach fields with St Bavo’s church in the background. He was buried on 31 December 1676 in the parish where he was born.